Elephanta Caves 2-5: Canon Hill

The Elephanta Caves contain rock cut stone sculptures that show syncretism of Hindu and Buddhist ideas and iconography. The caves are hewn from solid basalt rock. Except for a few exceptions, much of the artwork is defaced and damaged. The main temple's orientation as well as the relative location of other temples are placed in a mandala pattern.


The origins and date when the caves were constructed have attracted considerable speculations and scholarly attention since the 19th century. These date them between 5th and 9th century, and attribute them to various Hindu dynasties. They are more commonly placed between 5th and 7th centuries. Most scholars consider it to have been completed by about 550 CE.

They were named Elefante – which morphed to Elephanta – by the colonial Portuguese when they found elephant statues on it. They established a base on the island, and its soldiers damaged the sculpture and caves. The earliest attempts to prevent further damage to the Caves were started by British India officials in 1909. The monuments were restored in the 1970s. In 1987, the restored Elephanta Caves were designated a UNESCO World Heritage Site. It is currently maintained by the Archaeological Survey of India (ASI).

Caves 2-5: Canon Hill


To the south-east of the Great Cave is Cave 2. The cave is unfinished. The front of this cave was completely destroyed and restored in the 1970s with four square pillars. It has two small cells in the back.

Cave 3 is next to Cave 2, as one continues to go away from the main shrine. It is a portico with six pillars, and a mandapa with pillars. The portico is 26 meters (85 feet) long and 11 meters (36 feet) deep and is supported by four reconstructed pillars. At the back of the portico are three chambers. The central door at the back of the portico leads to a damaged shrine, the sanctum seems to be for a Linga, but that is lost. The shrine is a plain room 6 meters (20 feet) deep by 5.7 meters (19 feet) wide with a low altar. The shrine door has some traces of sculpture. The Dvarapalas on each side, leaning on dwarfs with flying figures over the head, are now in fragments. There are two other chambers, one on each side of the shrine.



Cave 4 is quite damaged, the large verandah lacking all its columns. The relief remains suggest the cave was once a Shiva temple as well. The shrine in the back contains a lingam. There are also three cells for monks, and a chapel at each end of the verandah.


Cave 5 is unfinished and in a much damaged state, with no artistic remains.

Picture Credit: Parth Vaghela

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